Saturday, 24 November 2012
Wednesday, 24 October 2012
Shooting Schedule
When
|
Where
|
What
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Tuesday October 9th
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City centre
|
Shots of cars moving, shots of abandoned dirty areas in the city (without the band)
|
Wednesday October 10th
|
Anglia Square/ Playhouse/ St.Stephen’s underpass
|
Shots of the band walking, dancing, singing in the city
|
Monday October 22nd
|
CNS Arc
|
Shots of the band playing the songs live
|
Performers
Solay Elibol
Lead singer and lead guitarist, 18 years old
Sam Sleight
Bassist, 18 years old
Nick Upton
Drummer, 17 years old
Tuesday, 23 October 2012
Inspiration from Movies (ex. kitchen sink dramas from 50s, black and white)
This is England - Opening Credits
The Full Monty
The Commitments
Control
Look Back in Anger
The Third Man
Metropolis (1927)
Saturday Night and Sunday Morning
A Kind of Loving 1962
A Taste Of Honey
Thursday, 27 September 2012
Shotlist
Before music
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Solay walking out of shop – closes door
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Riff starts
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Solay walking in street – lights a cigarette
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Other instruments kick in
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S nods to Sam and Nick, who are standing at corner of street
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Verse one
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S singing to camera (walking towards it, both other boys behind him)/ cut to shots of warehouses, closed offices (reflecting angry unemployed youth)
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Verse two
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Cut to studio, close ups of intruments being played, close up on S’s mouth singing into microphone, but no eyes
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CHORUS
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Long shot of band in studio playing
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Drum
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Bird’s eye view (possibly) of just Nick playing the drums
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‘Mister USA!’
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All three bandmembers shout it at camera
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Verse three
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Studio/cut between boys running around messing about in Anglia Square,
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Verse four
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In underpass etc –boys write or spray lyrics (eg ‘Life’s a bitch!’)on walls (accelerate in edit)
|
Chorus
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Cut between closed warehouses/offices/ boys standing in bandstand at chapelfield/ in studio/ in Anglia Square/ empty car parks
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Drums/Mister USA
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Same as first chorus
|
End solo – end guitar
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Solay looks into camera, Camera pans back.
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Tuesday, 25 September 2012
Location shots (Anglia Square)
| Smashed in windows reflect the anger from the unemployed misunderstood generation targeted by the metal/punk genres. |
| Car parks like these are seen as dodgy, dirty areas where at night one might come across these angry teenagers who find shelter in it. |
| The dirt once again shows how little the area is cared for. |
Wednesday, 19 September 2012
Inspiration from Music Videos
Gallows- Misery
London Calling - The Clash
These videos and most punk videos all inspire us in terms of the saturation. We would like to use this as an example for an effect we would add to our video to add a sort of old-school look like videos in the 70s as an homage to where the punk genre started which evolved into music and bands like The Upgrade.
God Save The Queen - Sex Pistols
Anarchy in the UK - Sex Pistols
Two Tribes- Frankie Goes to Hollywood
This Godley&Crème directed video is an obvious critique to the United States’ government (it portrays a heated boxing fight between then American President Ronald Reagan and then-Soviet leader Konstantin Chernenko, resulting in the world exploding) and what the nation stands for (‘’No firm diplomacy..no peace for America and the world’’ as Richard Nixon says), very similar to the Upgrade’s song USA, which criticizes the US’ current state towards terrorism and foreigners entering the country. Whereas we are not allowed to use clips from speeches by American leaders like Frankie Goes To Hollywood are doing, this is still rather inspirational as it directly attacks the American image.
Not The Only Person - The Rumble Strips
We would like to incorporate the scenes and tracking shots when the Rumble Strips’ front man walks and is followed by random people (or even band members) in our video by having the band following Solay through Norwich. We also like the urban locations used in this videos.
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